OFFER What’s your niche and function in the impact ecosystem? I am a visual artist, who works at the intersection of art, environmental action, and community engagement, using painting, sculptures, and large-scale environmental installations to spark awareness about ecology, biodiversity, and the complexities of the Anthropocene. My studio in the Swiss countryside is a core part of my practice, nestled on a fully off-grid property where my partner, Samuel Leuenberger, also has an art space. Powered by solar energy and equipped with its own water and waste systems, our home operates independently. We grow our food following permaculture principles, working with the natural rhythms of the land. This space also naturally lends itself to learning and collaboration, and we often welcome artists, scientists, and community members to experience a sustainable approach to living and creating. Visitors can see how my work is influenced by this direct connection with nature, from observing local biodiversity to working with locally sourced materials. The studio offers a quiet example of how sustainable practices can support creative work and bring ecological values into the flow of everyday life. What is your theory of change? My theory of change is grounded in the belief that art can create meaningful, experiential connections, that engage people emotionally, shifting perspectives on environmental issues. Through the use of poetry, metaphor, and a direct connection to material, art draws us toward something beyond ourselves, encouraging lateral thinking and oblique connections. By using organic materials and natural forms with digital and traditional processes, and exploring themes of regeneration, biodiversity, and climate resilience, I aim to cultivate an appreciation for the non- human world, using art as a bridge to broaden understanding. What’s your unique skill, experience, or talent? As a visual artist, I bring a background in material-based processes—particularly in wood, large- scale wall painting, and marble—and work to transform these elements into immersive environments within public spaces, such as museums, institutions, galleries, and outdoor community projects. Collaborating closely with scientists, environmentalists, and activists has also deeply enriched my practice, allowing me to integrate scientific insights and address ecological concerns from a unique perspective. What can our community learn from you? I hope to share with the community how creative processes can enhance traditional approaches to environmental awareness and contribute to a transformative dialogue about our shared responsibilities to the planet. I would like to give a presentation on my practice and particularly the collaborative underwater sculpture park project I have been working on with TBA21-Academy and Alligator Head Foundation, where I created a series of underwater sculptures designed to foster marine biodiversity. This work was part of an ongoing effort to combine art with ecological restoration, specifically by creating structures that support coral growth and provide habitat for marine life.